When Laine Forrester travels to France to attend her longtime friend's vineyard wedding, she expects to find a bride on the brink of a fairy-tale life. But after a series of unforeseen setbacks--a devastating diagnosis, a castle restoration put on hold, and the emergence of deep-seated family dynamics that threaten to derail the new couple's fledgling marriage--it seems the storybook life Laine had imagined for her friend--and once, for herself--is suddenly crumbling before her eyes. With hopes of resurrecting a happy ending for one of them, Laine throws support behind her friend and agrees to accompany the couple to the groom's family home in Ireland, where the merging of a mysterious inheritance, long-buried wounds, and a fractured family set out to upend the trip from the start. It's in the unlikely corners of a historic Dublin pub, and across the wide-open moors bordering Ireland's majestic Wicklow Mountains, that Laine is slowly drawn in by the land and the people, sparking hope for something she never imagined possible: the courage to heal. But with secrets of her own--and a heart afraid to trust again--Laine must determine how much she's willing to risk in mending the broken places within herself, and whether she believes that even through the depths of our pain, a beautiful story can emerge. Set in three time-periods--the revolutionary era of the late eighteenth century, Ireland's turbulent Easter week of the 1916 Rising, and present day--Castle on the Rise weaves a story of legacy, conviction, and redemption against the backdrop of Dublin's storied streets, and the stretch of Ireland's stunning emerald shores. It raises the question: given the choice between the fairy tale or a life of truly anchored faith--which legacy would you choose?
"(1905-68) was, in his heyday, a very successful writer of mystery fiction. In this novel, first published in 1941, his popular series character, schoolteacher and amateur sleuth Hildegarde Withers, is hired as a technical advisor on a movie about the Lizzie Borden murders, which took place almost 50 years earlier. Withers barely has time to get settled in her office before a screenwriter turns up dead. The cops say it was an accident; Withers says it was murder. The Withers novels are not quite comedies, but they're full of wit, always mixed with an engaging mystery. In this case, Palmer's experiences as a screenwriter lend an agreeable air of realism to the proceedings. Rediscovering lost writers can be a hit-or-miss thing: sometimes you come across an author who fell off the map for perfectly obvious reasons, and other times, as with Palmer, you can't figure out why he's so little remembered nowadays. His inclusion in the first round of welcome publications in Otto Penzler's American Mystery Classics series should help change that. Welcome back, Mr. Palmer."-- Provided by publisher. "Hildegarde Withers is just your average school teacher -- with above-average skills in the art of deduction. The New Yorker often finds herself investigating crimes led only by her own meddlesome curiosity, though her friends on the NYPD don't mind when she solves their cases for them. After plans for a grand tour of Europe are interrupted by Germany's invasion of Poland, Miss Withers heads to sunny Los Angeles instead, where her vacation finds her working as a technical advisor on the set of a film adaptation of the Lizzie Borden story. The producer has plans for an epic retelling of the historical killer's patricidal spree -- plans which are derailed when a screenwriter turns up dead. While the local authorities quickly deem his death accidental, Withers suspects otherwise and calls up a detective back home for advice. The two soon team up to catch a wily killer. At once a pleasantly complex locked room mystery and a hilarious look at the foibles of Hollywood, The Puzzle of the Happy Hooligan finds Palmer, a screenwriter himself, at his most perceptive. Reprinted for the first time in over thirty years, this riotously funny novel shows why Hildegarde Withers was among the most beloved detectives of the Golden Age American mystery novel." -- From publisher's description.
"Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now fifteen and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina's tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears. Where Alina used to measure time between visits from her beloved, now she measures the spaces between hope and despair, waiting for word from Tomasz and avoiding the attentions of the soldiers who patrol her parents' farm. But for now, even deafening silence is preferable to grief. Slipping between Nazi-occupied Poland and the frenetic pace of modern life, Kelly Rimmer creates an emotional and finely wrought narrative that weaves together two women's stories into a tapestry of perseverance, loyalty, love and honor. The Things We Cannot Say is an unshakable reminder of the devastation when truth is silenced...and how it can take a lifetime to find our voice before we learn to trust it."-- Provided by publisher.
"A cynical divorce attorney and a private investigator meet on a cruise in the first installment of New York Times bestselling author Catherine Bybee's series about newfound friendship, unexpected love, and second chances"-- Provided by publisher.
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